TeXt Marks The Spot

With ToyCyte being on permanent hiatus, I needed a place to channel my toy blogging energy. John “Spanky” Stokes opened the door and gives me the chance to blog my head off whenever I feel the need. I even have my own tag! The article pictured above is a story I’m particularly proud of. I encourage you to check it out!

The editor in me had to pick at a few typos on the brilliant Sergey Safonov’s Rotocasted database, and that critique lead to a great friendship and a position as Database Librarian. When I’m not correcting tags and typos, I’m taking pictures of toys for safe archiving in the library. Lots of good stuff is in store for this site. In the meantime, pardon the dust!

In the past couple months, I’ve been honored to contribute art and design news to Cool Hunting.

Cool Hunting is a daily update on ideas and products in the intersection of art, design, culture and technology, and features weekly videos that get an inside look at the people who create them. Published since February 2003 as a personal catalog and reference tool, the site today attracts and inspires more than 400,000 regular readers from around the world.

To date, more than 15 emerging artists have participated in ToyCyte’s custoMONDAYs.

Click here to read more about The custoMONDAY Project.

Click here to view the entire archive of all custoMONDAY artists.

Click here to view the website of graphic artist Jason Babler, designer of the custoMONDAY logo.

Every other Monday  on ToyCyte, I spotlight an emerging artist. Each profile includes an interview, comprehensive photos, links to the artists’ online imprints and a contest where the artist gives away a customized art toy or original creation to a lucky fan. The figures are all exclusively created for the custoMONDAY Project, and not to be immodest, but some of them are worth several hundred dollars.

I work to promote each artist during their two-week “residence” by reaching out to other blogs and fan forums. The artists who have been a part of custoMONDAY are truly tomorrow’s art stars. Some have been tapped to make production figures for Chinese and Japanese toy companies, one saw his figure auctioned in London, one caught the attention of Kanye West, and others regularly sell out in stores and shows.

Click here to read more about The custoMONDAY Project.

Click here to view the entire archive of all custoMONDAY artists.

Click here to view the website of graphic artist Jason Babler, designer of the custoMONDAY logo.

The custoMONDAY project brings significant attention to artists. A couple examples of custoMONDAY creations below are followed by the viral re-blogging of one of our biggest success stories.

custoMONDAY creation by Mike Slobot

custoMONDAY creation by OsirisOrion

custoMONDAY creation by MONSTREHERO

ABOVE: custoMONDAY creation by Dustin Cantrell

BELOW: Dustin’s custoMONDAY goes viral.

This weekend saw the opening of a custom toy show based around the imagery of Japanese toys. It Came From Skullbrain profiled the talent (much of it local) from the Skullbrain forum, an off-shoot of San Francisco’s Super7, which hosted the event. ICFSB brought out a mix of folks: from kids in strollers to old-schoolers, and of course, lots of Japanese toy fans. I’m reminded of Mark Nagata’s commentary about the Kaiju Comrades show in Tokyo where Mark writes: “They are not used to seeing one artist customizing another person’s figures, and for some the prices were ‘crazy’.”  Or as Steve Agin put it: “This is really one of the most interesting art modes of the present. I know of no precedent for it…It can be tough representing the repainting of another artist’s figure as your original work, especially in a potential ‘mine field’ of egos.”

Read the rest and see all the pieces from the show.

Never before has there been an all-resin art toy group show of this proportion and significance. Over the course of the evening, people chatted about how it is the “right time” for resin. The recession slowed down factory (vinyl) production and simultaneously gave collectors pause to rethink buying pricier products. Meanwhile, a handful of art stars rose to fame with the aid of companies and stores, leaving many artists on the periphery. Is resin the solution? Well, anyone with artistic intent can learn the process and pass on the cost savings to their collectors. This results in a vibrant art toy community, the likes of which we haven’t seen in years. I really feel like we are on the edge of a movement.

Read the rest and see all the pieces in the show.

A San Francisco art toy show like no other!

Last night, a variety of homegrown Insurgents Wilderness Gruppo mutations hit San Francisco’s Rocket World for the first I.W.G. custom show. If you’ve never been to Rocket World (aka T.A.D. Gear), you owe it to yourself to visit Patrick Ma’s haven for high end adventure gear and designer toys. Enter the garage doors to one of the most untraditional spaces for an art show, and you’ll mix it up with cops, military personnel, artists, fanboys, fangirls and families checking out customized toys, stealth jackets and titanium sporks. As Patrick says, this kind of diversity is precisely what San Francisco is all about.

Read the rest and see all the pictures.

This 5-part series is one of my favorite pieces of writing about toys.  I researched, polled and interviewed my way to a report on the controversial topic of “blind box packaging.” The feature is divided into segments on toy companies, toy fans, toy stores, toy artists and toy bloggers.  A few excerpts (and some exciting pingbacks from Poland and the Netherlands!) are included below. Please click the links to read the whole story.

Toy Companies

Blind boxes allow toy companies to take chances and produce more figures; toy stores don’t have to worry about getting stuck with unpopular figures. Like gumball machine toys, blind box toys keep fans coming back for more. Rarely does a person buy a single blind box, get exactly what he/she wants and call it a day. Rather, people buy blind box toys by the handful or case, going back for more in the quest to collect the entire series. This is, of course, great for toy companies and toy stores.

And it’s good for some toy fans too. Popular reasons for peoples’ enjoyment of blind box toys include: the element of surprise, the thrill of the chase and the social connections from trading duplicate or undesirable figures. Blind box toys also function as a gateway: they introduce people to artists and a new medium for collecting art.

However, unlike gumball machine toys, blind box designer toys typically cost around $8, with some as much as $30. For completists (collectors who want a whole set), the thrill and social factors take a backseat to completing a series. Eventually some casual fans graduate to being serious fans. At this point, a schism opens up between the newly minted collector and the toy company.

Toy Fans

When figures are sold in blind box assortments, there are still ways around buying in the dark. We can buy toys on the secondary market (which includes eBay and fan forums) or through open box retailers (stores that open the boxes). Specific figures are often priced higher according to ratio or rarity. Sometimes people take advantage of this and buy speculatively so that they can resell (or “flip”) the hottest toys for big profit. This makes an exciting chase for some fans and a frustrating hassle for others. The alternative is buying blindly and paying for toys we don’t want or already own.

There are precedents that manage to strike a compromise for people who like and dislike blind boxes. David Horvath issued his latest Uglydoll series as a case containing all 12 action figures, each concealed in a blind box. Serious collectors can obtain the whole series easily enough by buying a case; yet the blind box fun still exists for fans who want only a few figures. This strategy is win-win for any company whose objective is to get a set of figures into a fan’s hands. Other ways of increasing the warm, fuzzy feelings? Limit the number of duplicates  (ala Artoyz Elements Alpha Series) or include all standard figures in a case (like MINDstyle’s Scavengers). Mini-figures can also be sold in window boxes, clear bags and on blistercards. In light of these possibilities, a case with 5 or more of the same figure starts looking more like a case of greed.

Toy Stores

The fine folks who own toy stores are themselves also customers: They buy the toy companies’ products before we walk through the door. The toy companies have a vested interest in taking care of the toy stores, but they also control the merchandise and which shops get the hot items. I was concerned that toy retailers wouldn’t want to go on the record for this story—that they’d be too worried about offending the toy companies or alienating the fans. But blind box stories, like blind boxes themselves, are full of surprises.

Toy retailers are an eloquent and gregarious bunch who are also collectors and members of our community. Rotofugi, Ningyoushi, Toy Tokyo, Shoparooni, Red Hot Robot, Lulubell Toy Bodega, Wizard Sleeve Toys and hometown heroes, The Sausalito Ferry Company all gave their two cents (sometimes more) for the story.

Toy Artists

On Monday, we began a conversation about blind box toys, and we started at the source: the toy companies. Kidrobot and MINDstyle both said that their fans enjoy the blind box experience. On Tuesday, we talked to the fans and reaction was split: with casual fans liking the fun experience and serious collectors experiencing the blind frustration. Wednesday’s topic was toy stores–largely in favor of blind boxes, but also presenting alternatives. That got me wondering: Do toy artists enjoy the blind box experience? Here are Doktor A, Joe Ledbetter, David Horvath, Jon Burgerman, MCA, Huck Gee, Sket One and Buff Monster (who have over 20 blind box series between them) on the topic.

Toy Bloggers

At this point, you should be well-acquainted with my stance on blind box toys. When it comes to this topic, I don’t like surprises. I like compromises. It’s possible to please casual fans and serious collectors and still make money. Maybe we don’t all agree on everything, but I think we know one company artists won’t be working with anytime soon. As Huck Gee said: “Keep it simple, don’t be greedy, have fun.” When companies take care of their artists and fans, we notice. And so does karma. A certain toy made it all the way to the White House. Coincidence? I think not. But enough about what I think. Here are some final thoughts from the biggest mouths in toy blogging: Andy from ToysREvil, Saki from I Heart Cool Stuff, John from SpankyStokes, John from SuperPunch/ToyCutter, Robby from Albotas, Colette from Tomopop, Collin David from here, there and elsewhere, Brian Slivka of Plastic and Plush and Kirkland Jue from ToyBot Studios.

Pingbacks Galore! (Thanks!)

This was a lot of fun. I got to work with Johan, a French blogger, and my mother, a French translator. It didn’t hurt that the French artist, SKWAK, is one of my favorites.

SKWAK is back! Technically, he never went away. He’s actually been pretty busy, and his current schedule includes new toys, new tees and a show. Johan of the French art blog Some Cool Stuff recently interviewed SKWAK. If you can read French, bookmark his site and read the entire interview here. Alas, I cannot read French. Luckily my mom is fluent and was happy to translate. Johan asked SKWAK excellent and thoughtful questions about his art, style, mind and world. SKWAK reports back on an 8-inch Dunny with Kidrobot (!), an upcoming mini-figures series with MINDstyle (!!), an American animation project (!!!) and maybe even some porn (???). So with props to Johan and my mom (who is now a SKWAK fan and too-kindly likened my habit of cramming pages with words to Skwak’s style of “too much”), here’s the latest news from the Maniac World.